The Making of 'The Promise': The Title Track 

July 25, 2015 by Caitlin Grey 

  So, we come to the title track on the album! 

The inspiration 

In complete contrast to the narrative-based tracks on the album, The Promise was written very much from the heart. I had written some lyrics some months back, during a time when a very, very close friend was going through a very difficult and protracted divorce. It was heart breaking to watch her suffer. As anyone who has experienced a break up knows (and we have all been there), there exists a long period of time when you feel utterly bereft. You feel you will never be happy again, never find love again and are perhaps totally undeserving of either love or happiness. The pain of rejection, betrayal and loss is just hideous, turning your life completely upside down. You wake up every morning with a sick knot in your stomach and it stays there all day. Very often, not only do you lose your life partner, but you lose your extended family too, your in-laws and also friends, who sometimes feel that they need to take sides. Indeed, the effects of one person leaving another person can be incredibly far-reaching and so you grieve for a love, and a life, that has now gone. 

Listen to The Promise 

But then, slowly...... 


'This too shall pass'. 


So, I wrote The Promise for my friend, as I wanted to demonstrate that hope does literally spring eternal and our resilience and capacity to bounce back is utterly primal. 

The song was written to inspire this hope, a literal 'promise' of better times to come. An affirmation that there is life after loss of any kind. We grieve, we suffer but go on. We get up in the morning and we function (just about). We cope until one day the sun is shining a little bit brighter in our hearts and we begin very slowly to feel happy again. Interestingly, writing this song was quite cathartic for me too. In fact, writing this entire album has been pretty cathartic. I've exorcised a few demons I can tell you. 

  The music  

This song started out as a much slower track, almost a lament actually, with no rhythm to speak of. However, given its lyrical content we felt it needed a more uplifting structure. 

Musically, the melody was already mooching around my head along with the lyrics. Neil took a germ of an idea and developed it further adding counter melodies and Celtic instrumentation. We wanted it to build so we layered up the vocals and added harmonies which all took ages, I can tell you! No cheating, just good old-fashioned over dubbing….singing over and over again in order to achieve a bigger sound. 

  The distorted guitar solo has got to go! 

  Very often the middle section of any song is tricky. The verse and chorus melodies generally come quite easily as they are usually based around the same key/chords. The 'middle 8', so called because it's generally about eight bars of something different, an instrumental solo perhaps or even a completely new chord sequence, is where many songwriters come unstuck. You get your verse and chorus nailed but then comes the dreaded middle section. You know you have to take the song 'somewhere else' but nothing flows or sounds right. It can be quite a bugbear! With The Promise, we tried a few different middle 8 variations before settling on the one you hear in the song. Yes, it went though quite a few changes. At one point we even had an electric guitar solo in there….eek! I have to say, it was a great solo as Neil is brilliant on the electric guitar. Poor Neil never gets to rock out working with me...never mind of these days! Suffice to say, it didn't work within the context of this song so we wrote parts for Irish whistle and violin working in a dialogue with each other and interwove the melodies. 

To further build the song and add impetus, we very slightly increased the tempo from the middle onwards to give it that 'climactic' ending. 


'To be or not to be...the title?' 


To begin with, The Promise was never intended to be the title track. In fact, our original working title was Return to Avalon, a track which, in the end, was not actually finished in time to put on the album so we couldn't use it. 

So when we were deciding on what to call the album, The Promise was a good strong title and as it's the most 'hopeful' song on the album, it seemed like the natural choice. 


'This I promise, you will find a way.' 

Copyright Harvey/Grey 2014 









The Making of 'The Promise'  

The writing of the album The Promise 

by Caitlin Grey (Additional notes by Neil Harvey) 

So, here we are at the first song in my new series...The making or should that be the writing of  The Promise. Before we begin with the first song, I wanted to preface the series by saying this. Sometimes, it's very difficult to de-construct and demystify the writing of a song. Apart from the fact that it's all too easy, once it's written, to forget quite how it came about in the first place! However, the main worry in publishing details is that in doing so, some of the mystery will be lost and the listener's own interpretation of the song, of equal importance in the communication process, will be somehow compromised. That said, I, myself, love to read about how favourite songs of mine came about. For example, we know that Abba's 'The Winner Takes It All' is to some extent about the painful divorce of Agnetha and Björn. Knowing this only makes it all the more poignant when watching her sing the song. You almost feel her pain. For me anyway, it certainly doesn't detract from my own enjoyment of the song, rather it enhances it.   

So with this in mind, I hope you will enjoy delving a little deeper into the writing process and discovering little nuggets of information about the making of The Promise. There are a couple of intertwined themes running through this album. I will reveal them later in the series and it may become clearer to you anyway, as you read more about the songs. 


Any songs, films or books I mention will be listed for reference at the bottom, just in case you'd like to look. 

                                                                   So here we go with the first song on the album......

                                                                                                          The Gypsy


                                                                        'Long ago in a far off land, there lived a lady fair-o

                                                                 She fell in love with a gypsy vagabond, oh she loved him true.' 


This song holds a special place in my heart for two reasons. Firstly, it was one of the first tracks to be recorded and, secondly (and most importantly), my little dog made a cameo 'appearance' on it. The Gypsy was actually first recorded roughly in April/May of 2013. One day in the studio, Neil was recording some guitar for the middle section, the 'dance around the camp fire' and my little Jack Russell, who was chilling out under the mixing desk, suddenly started to bark. His bark was recorded along with the guitar. So, as is usual when there's a mistake or glitch etc., Neil just hit record again. However, the original recording was still on the PC. The little fella passed away that same June (aged 15yrs). Those of you who follow me on Facebook etc. will know that I was pretty sad, as were we all. He was a smashing little dog, my little soul-mate and I miss him dearly. So as a little tribute, we re-instated the original recording and now he is forever on the album. If you listen very closely you can hear him barking in the middle section. It makes me happy & sad at the same time whenever I listen to it. 

Click below to listen to The Gypsy 


Gypsies, romance & inspiration 

 I have always loved gypsy folklore. As a child I loved the Raggle Raggle Gypsy song and the Spanish Gypsy Dance song. Amongst some of my favourite films were Sky West and Crooked and The Virgin and the Gypsy. I also loved Madonna of the Seven Moons, The Barefoot Contessa and Gone to Earth. These films and songs weaved their way into my subconscious, forever imbuing me with a love of all things Romany gypsy and romantic! I was fascinated with the folk tales of high born ladies running off with handsome, rugged gypsies and equally high born men falling for free-spirited wild and beautiful gypsy girls. Of course, one of my my all-time favourite films (and books!) is Wuthering Heights. Obviously, I'm not alone in my love of this Brönte classic, as many artists, most notably, the amazing Ms Kate Bush, have been influenced and transported by the tragic tale of love and death, of swarthy, moody Heathcliff and the beautiful Cathy! 

 The music 

For our first album Siren's Song, Neil had written a lovely little melody that developed into The Romany. To listen to The Romany click here 

On this album, The Promise, something similar happened, as Neil already had the 'chorus' riff which was originally intended to be something completely different. It wasn't meant to be a vocal at all, but I forget now what we were doing with it! But anyway, I went away with the melody and started adding more bits to it, then lyrics came for the main 'Where do you go my gypsy lover' and the rest of the story just developed from there. Once we had the refrain 'Come and dance with me', the verse melody progressed quite quickly and Neil used a simple but beautiful guitar accompaniment to enhance and support the narrative. Talking of the narrative, the next task was to write the lyrics for the verses which effectively tell the story. The most challenging part of writing lyrics for a narrative song is fitting all the content into three or at the most four verses. In traditional folk songs written in a strophic style, (that is verse after verse after verse!) one can pretty much tell a detailed story by adding as many verses as necessary to get the tale finished. However, obviously, I did not have the luxury of doing that. I don't want to bore my listeners to death! So, once I'd decided on the 'action' so to speak, I had to work out how to tell the story in a concise and rhyming fashion. This is both highly frustrating and enjoyable at the same time. I love writing this kind of song, it is always a completely different experience to writing a song 'from the heart' as it were. Songs written from personal experience and general life events etc. tend to be much more organic in their evolution. They come from somewhere inside and often you really just follow where they take you. Writing a story-based song from an outside perspective is a very different, but equally challenging task. I love to do both! The most complex songs to write, however, are the ones that appear on the surface to be about something else entirely, but actually hold a much deeper meaning altogether! Then it's up to the listener to decide for themselves if they spy another meaning within the lyrics? Ooh..cryptic! 



Song library 

Spanish Gypsy Dance  From: Folk Songs of Many Lands, 1911 

The Raggle Taggle Gypsy (Traditional) 

The Romany Caitlin Grey/Neil Harvey from the album Siren's Song 


The Virgin and the Gypsy Novella by D.H.Lawrence 

Madonna of the Seven Moons Gainsborough Films 1944/45 

The Barefoot Contessa starring Ava Gardner Dir. Joseph L. Mankiewizc 1954 

Gone to Earth starring Jennifer Jones 1950 Dirs. Powell & Pressburger 

Wuthering Heights by Emily Brönte 

Sky West and Crooked 1965 Director John Mills (released in the US as Gypsy Girl) 



#songwriting #songs #Celtic #gypsies #Romany #gypsy 


My musings on music, song writing, my inspirations and influences.